
Fred and the gang unmask the New-York Ghost!
In stark contrast to publishing throughout the rest of the globe, translated fiction accounts for only a tiny fraction of the books published in the English-speaking world. In Germany 13% of books are translations. In France it's 27%, in Spain 28%, in Turkey 40% and in Slovenia 70%, but in Britain and America the best estimates suggest that the fraction of books on the shelves which started off in another language is somewhere around two per cent. One measure of the lack of interest in translated literature from both government and the industry is that Britain is the only country in Europe that doesn't produce any statistics on translation.Two percent?... They must be referring to the UK there, because I'd call that figure generous for the US.It's a state of affairs described by translators as "shocking", "pathetic", "scandalous". And according to Esther Allen, the executive director of Columbia University's Centre for Literary Translation, the crisis may be even deeper in fiction. "The number of novels being published in translation is ridiculously small - in the hundreds each year," she says. "If you sort out the authors who are already globally validated - Nobel winners and so on - and the retranslations of the classics, then it's absurd."



Malcolm writes: "She seemed to shine when she walked into a room, and the work, even at its most hermetic, possesses a glitter that keeps one reading long past the time when it is normal to stop reading a text that makes no sense." This shine, this special something, is related to the mystery of how Stein and her girlfriend, Alice B. Toklas, two aging Jewish lesbians living in France, survived the Nazis—a friend of theirs was a bad guy, "one of the very worst guys," Malcolm writes—which is the focus of the first section of the book. In the second section, Malcolm reads (and reports back on, since almost no one has read it, including academics) Stein's The Making of Americans. "I finally solved the problem of the book's weight and bulk," Malcolm writes, "by taking a kitchen knife and cutting it into six sections."


Creating such a haven was R. Spot owner James Richards' goal when the shop opened 17 months ago. Richards is 39, grew up in San Diego's Chollas Creek neighborhood and still has never cut hair. In the shop, he is the DJ, plucking rare records from crates and shelves and spinning them on a dual turntable system.... "We need black bookstores. Too many of them close down. I wanted to bring the books to the people. I've always been an activist. When I was a kid, my dad took me to Rob's Barber Shop, on Euclid Avenue. I heard all the cats there talking about black issues. That was a special time for me."

